Friday, January 14, 2011

Nerd Rage #4: Stephanie Brown’s Tale of Woe

Spoiler Alert: Purple is the New Black
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As per the last post I’ve decided to celebrate my One Year Anniversary by writing about my favorite subject: comic books.  I debated exactly what topic I should touch on considering that I didn’t want to accidentally alienate anyone by becoming Angry Comic Nerd (Several essays were scrapped before this one, including the Fanboyish “Problems I have with Superhero Comics”).  But then I remembered my article about Cassandra Cain and how I, at the time, was worried that some people might assume I had ill feelings towards Stephanie Brown.  I love Stephanie Brown and my only issue with her lately was that she replaced Cassandra as Batgirl.  It’s not because I didn’t want her in a high profile title like that I just wanted to live in a world where a monthly Batgirl title and a monthly Spoiler title co-existed.  I also wasn’t in love with Stephanie’s book for the first few issues, but it seems like most everyone else agree that it’s actually very good.  Maybe it picked up after I called it quits.  In any case the fact is that no matter how much you or really any one may say differently in doesn’t change the fact that replacing an Asian character with a blonde white equivalent just has unfortunate implications.
But I never blamed Stephanie for it.  Plus I was happy that she was getting attention, though after the debacle with her character a few years earlier she had tons of publicity.  Yes, despite everything I talked about Cassandra Cain’s unceremonious exit and bizarre turn to villainy that was NOTHING compared to the utter insanity regarding the Death of Stephanie Brown.  Oh she’s better now but good grief did DC Comics open Pandora’s Box when they wrote that story.  Even today the wounds aren’t all healed but then again this is likely one of the company’s biggest blunders of the 2000s.
Before we talk about her death let’s talk about her life.
The Spoiler is the "Buffy Summers" of the Batman Family
Stephanie Brown aka The Spoiler (Which is actually how I think of her) first appeared in Detective Comics #647 in 1992, created by Chuck Dixon and Tom Lyle.  Her origin is somewhat similar to Cassandra Cain’s in that her father was a super villain and much of her motivation involved balancing out his criminal activities (Also for kicks, because that’s how she rolls).  She’s daughter of the Cluemaster, a fairly unremarkable Batman villain from the 60s with a similar modus operandi as the Riddler.  After his most recent return home from prison Stephanie was distraught to lean that, despite supposed plans for going straight, her father had once again turned to crime though this time without the use of his trademark clues.  Angered by this she began leaving clues herself in the hopes of “spoiling” her father’s plan thus becoming the Spoiler.  She donned a costume and began trying to aide Batman and Robin (Tim Drake, the third Robin) though unlike fellow amateurs Kick-Ass and the original Bat-Woman and Bat-Girl she was actually kind of successful at being a superhero; or at least no one nearly beat her to death after a dangerously ill-advised act of vigilante justice…not yet, anyway.  She eventually became a supporting cast member of the new Robin solo title where she and Tim began an uneasy friendship that evolved into a partnership that turned into a pretty long romance.   This book was also one of the main factors in bringing me back into comics after I quit for bit so I have very fond memories of these two characters as a crime fighting duo/couple.  Should DC ever hire me as a writer (Increasingly unlikely due to this cursed blog) I would likely try to bring that relationship back…also I will totally have Dick Grayson marry Barbra Gordon because…why the hell not? [2013 EDIT: I'm over that now. I see no point to it theses days] 

Anyway during her stint as supporting cast member the Robin book got critical acclaim partly because of her teen pregnancy. Yes, years before Juno or MTV’s 16 and Pregnant Stephanie Brown had unknowingly been knocked up by a former boyfriend and the issue was heavily dealt with in the comic (Leading to the baby being put up for adoption).  The point is that she was an important part of Robin’s success during its run in the 90s and she herself was gathering a larger fanbase myself included.  So one would think that, as a crime fighter in Gotham with growing popularity, DC would bring her more into the fold of the Batman books where she would start being used as a larger character rather than a plot device.
Well…not really.  Unfortunately it seems that not many people in DC saw the potential of the character at the time.  Soon the writers began planting the seeds that would eventually lead to her death in 2004.  First was a glimmer of hope in the that revelation that Batman had begun training Stephanie.  Which is super cool on paper.  The number of female superhero associates that Batman has had in his group over the years is small, pretty much limited to Barbra Gordon and a lot of his direct involvement with her and her training is very much depended on retroactive continuity.  Heck, perhaps this could have been the first step to making an official female Robin (I would later eat those words).  After he returned from a mission Stephanie lets it slip to Tim that she knows his secret identity.  You see during their whole relationship Robin hadn’t revealed his civilian identity to the Spoiler due to his incredible loyalty to Batman and fear that it could theoretically compromise his mentors’ operation.  His unwillingness to divulge even his real first name was an elephant in the room for years.  It turned out that while the young hero was on said mission Batman had revealed his partner’s true identity (Why?  Because Batman is a dick, I guess) leading to some rather serious trust issues between the dynamic duo.  So again Miss Brown was more of a plot point to cause conflict between Batman and Robin than a character, but she was being trained by Batman and also begin mentored by the Birds of Prey so things were obviously looking up, right?
Of course not.  Spoiler was soon fired by Batman, probably because the writers didn’t have any real plans for her, and he forbade her from fighting crime.  Why?  Because Batman is a control freak.  We’ve mentioned this before.  What’s worse was that Stephanie was becoming increasingly shrewish as Robin’s girlfriend looking more like a jealous clingy girl than his partner.  After a series of events in his own title Tim was forced to retire as Robin due to strong concerns from his father who had recently learned of his activities.  Distraught by this and other issues with their relationship Stephanie broke into the Batcave and demanded that Batman train her as the new Robin…which, by the way, was very similar to how Tim became Robin in the first place but I suspect that DC was trying to make her seem like something of an undisciplined brat for doing it.  Against his better judgment Batman agreed and thus Stephanie became the fourth Robin and the first official female one.   Now no matter what you say about who should have been Robin at that point the idea of a girl Robin is super awesome.  Bruce Wayne cannot possibly have the same type of relationship he had with his previous partners with this new one so this storyline could have led to a completely different dynamic between the traditional Batman and Robin role.  The possibilities were vast and the future seemed bright.
A bold new partnership that lasted years-
Then came the day Black Mask took a power drill to her.
JOSSED!
I’m getting ahead of myself.  Before the Eli Roth-like torturing of one of my favorite characters DC first killed her credibility.  After failing to follow orders during her initial missions Batman once again fired her.  So she was the fourth Robin for just a hot minute, DC displaying their complete disinterest in changing up the Batman/Robin partnership.  To make matters worse Stephanie seemed hell bent on proving that she was an awful and dangerously incompetent character by stealing one of Batman’s SUPER PLANS in order to win his respect, screws it up something fierce, and causes a massive gang war (As told in Batman: War Games).  Great, because I love it when my favorite characters are depicted as spoiled assholes who are also morons despite not being nearly as bad in the past.  I’m fairly certain that this is all a matter of plot convenience.  The writers wanted to kick off this War Games storyline and Stephanie was the sacrificial lamb they chose to use.  Anyway the villain Black Mask kidnaps her during all this and tortures her near to death with a power drill in order to get information that would soon elevate his status to A-list villain.  So the whole point of this was to make a B-rate villain more menacing?  Women in refrigerators indeed.
Despite managing to crawl her way to a clinic Stephanie died from her injuries; her last words before her demise was asking Batman, who had snuck into her room in her last moments, whether she was ever truly Robin to which he replies “Yes.”  Though the circumstances leading to her death were stupid, forced, and incredibly violent at least her last panel alive was a sweet and emotional scene, if depressing.
Also not too much long after her death it was revealed that Leslie Thompkins, the doctor who ran the clinic, had apparently let the Spoiler die from her injuries as a warning to Batman about using children in his war on crime.  WHAT?!  For those of you who don’t know Leslie is a longtime supporting character of Batman who was a friend of his parents and unofficial guardian of a young Bruce Wayne.  In fact she’s one of the few people to know about his dual identity.  While she disapproves of his activities due to her pacifists beliefs (So strong that she helps anyone who comes into her clinic, even if they’re super villains) she loves him like a son.  Well apparently she had lost her goddamn mind here because she basically MURDERS Stephanie to make a point, which go against everything I understand about her character.  In the end Batman chases her out of the country and threatens to throw her in prison if she ever comes back into the US or practice medicine again.  So basically during this dumb storyline not only did DC kill one strong female character but they also ruined a second one.  Bravo, DC, bravo.
Cue slow clap
I’m not sure why DC felt they needed to kill her off at all.  Surely she could have survived and the brutal experience could have been just as relevant to the story. Oh wait, I’m being silly.  Her death was a one of the driving story points of the sequel to War Games Batman: War Crimes where Batman is (rightfully) accused of endangering children.  So even in death the Spoiler is still a plot device.  Fantastic.
Her death, while upsetting for her fans, isn’t really the only problem.  First of all it was the way she died as it has been accused of being a very sexually charged death.  A man murders a teenage girl with a phallic object; I can see where one would get that idea.   Another point was that Tim, now back as Robin, didn’t do all that much on-panel grieving.  This is probably not as important as it seems but it just would have been nice to see the character more affected by the death of his girlfriend.  Hell they wasted a perfectly good plot with him trying to cope with the fact that his rejection of the “Robin” mantle may have led directly to her death.  I don’t think that ever happened, or at least not as much as it should have (Conversely Robin fell to pieces a few years later when his friends Superboy and Impulse/(Yuck)Kid Flash/The Flash/Bart Allen were murdered).  Plus some fans thought that Batman himself was to blame and even suspected that his recruitment of Stephanie in the first place was a ploy to lure Tim back into the fold.
However the big problem was, following her death, Batman did not put up a memorial in her honor.  For years after the death of the second Robin Jason Todd a memorial with his costume has been on display in the Batcave consistently.  Fans believed that, seeing as she too was a Robin, Stephanie deserved such a tribute as well.  When directly asked why she hadn’t received the honor by fans then DC editor-in-chief equivalent Dan DiDio responded “She was never really Robin” which was apparently DC’s official stance on the subject.  And then the internet exploded.
Dramatization
Fans were livid by the casual treatment of the character and cries of sexism were declared.  The Women in Refrigerators topic, originally started by now hotshot DC writer Gail Simone a few years prior, once again lured its head.  Large amount of websites seemed to pop up not just because the Spoiler was killed and forgotten but what the act meant about gender in comics.  So yeah, good job on that DC.   After a few years of this in the pages of Robin, once again written by Chuck Dixon, a girl wearing the costume of the Spoiler began following Tim around.  It soon turned out that this girl was in fact Stephanie Brown alive and well.  Apparently, according to this new retcon, she never died in the first place.  Actually Dr. Thompkins had faked her death and smuggled her out of the country so that she could recover in peace.  Also Batman, he says, actually suspected as such which is why he never put a memorial up.
Really?  This was the best they could do?
Now let’s ignore that this retcon is the clearest form of back peddling I’ve seen in comics since Marvel declared that Magneto didn’t actually kill all those people in New York City in the pages of New X-Men (Look it up).  Let’s also ignore that the doctor’s plan was pretty stupid.  Why in God’s name didn’t Batman verify she was alive if he “suspected as much.”  He practically ran Thompkins out of the damn country with an elephant gun because of what she did.  How does a man with a compulsive need to be in control of everything and to constantly outsmart his friends not bother to double check to make sure his FORMER SIDEKICK AND PARTNER was really dead?  Was he asleep during his investigation?    I’m betting that he did in fact find some evidence that may have implied her death was more than it seemed but basically just said “I can either track down Stephanie Brown or catch the new season of Lost.  Meh, f**k her.”
"George W. Batman does not care about women"
Thankfully there’s a happy ending as not only has Stephanie finally gotten a chance to shine as Batgirl it turns out that the reason Cassandra quit so suddenly actually due to orders from Batman in the case of his death meaning he planned the whole thing from day one (Which doesn’t make too much sense either, but we got to take what we can get).  And also the two heroes FINALLY came to terms with each other in Bruce Wayne: The Road Home: Batgirl #1 as Batman has not only given his blessing for her to continue working as Batgirl but has accepted her as a member of the Batman Family, something she has been seeking for eighteen years (Real time).
One day perhaps the Spoiler will return
 For now let's enjoy her as Batgirl
Thanks for reading.  Let’s make the next year of Beta is Dead even better than this last one!

One Year Anniversary is Dead


Hey guess what?  It’s been exactly one year since I posted my first entry onto this blog.  Meaning BETA IS DEAD IS ONE YEAR OLD!  Time to dance!
Well that's a bit low-key for a party
Is it really that big a deal?  Maybe not, but at the very least I managed to consistently post material for a whole year, more or less.  That’s really good for me.  At first this blog was mainly bonus material for the Saturday Morning Cartoon Show.  For years I have been co-host of that radio program but with a two-hour time limit I often found it hard to fully express my feelings about the various shows were played on-air.  So obviously, being a nerd, the first solution to come to my mind was to start an internet blog.  You know, because I apparently never wanted to date a woman ever again.  Anyway I thought maybe I could write on other things aside from classic and not so classic cartoons so now I pretty much write anything I want to, which just happens to mainly be reviews I guess.  Which is kind of lame now that I think about it.
So what has changed in the last year?  Well the first edition of the blog was SMCS #1: Captain N and looking back I think it’s safe to say my writing has gotten better.  So that’s cool, I suppose.  There’s certainly a larger chunk of followers now, which is pretty cool, and I get decent traffic.   Plus I now get consistent visits from places that aren’t the United States, especially from the United Kingdom.  Nice!   Though I hardly get any feedback.  I sometimes wonder if anyone’s actually reading this stuff since aside from “Iron Eagle” and Travis (Buddies in real life) not too many folk stop by to say hello.  Hopefully this will get better over this coming year because I’m so gosh darn lonely.
Let’s look at some stats from the last year:
Aside from the main page the entry that has had the most traffic this past year has been Nerd Rage #1: Cassandra Cain as Batgirl.  I got a lot of lurkers coming this way by goggling for Cassandra Cain so I suppose that makes sense.  This was probably the angriest blog I'd ever written by the way.  The second most visited was Scott Pilgrim [Indeterminate Amount of Time] Day 1 the intro to my three part love letter to the Scott Pilgrim franchise.  The third most visited was my review of Gurren Lagann.  I assume that’s because Gurren Lagann is the most badass thing that ever did anything ever.
So long as I have GIANT ROBOTS I do not need love
Later today I’ll be uploading an essay I have been meaning to write for months now so come back later to check it out.  It will be another nerd rant so prepare yourself for possible boredom.  My New Years’ Resolution is to make this blog "better" (Vague much?) so hopefully, a year for now, I’ll be mentioning how Beta is Dead has taken the world by storm.  We’ll see.
In any event thanks for taking time to visit my boring old site the past year.  Here’s to the next year.

Wednesday, January 5, 2011

Anime Review: Samurai 7


 

Samurai 7 is a bizarre and probably superfluous anime remake of Akira Kurosawa’s classic 1954 film Seven Samurai aka Shichinin no Samurai.  I say “bizarre” because rather than just making an animated version of the film the creators instead decided to throw in cyborgs, giant robots and airships into the mix.  Why?  Hell if I know, but really if we can add zombies and sea monsters to classic literature we might as well turn a classic movie into a mecha anime.   Of course the titular samurai still basically just use swords so pretty much for 26 episodes we have seven dudes killing the hell out of massive technologically advanced adversaries with nothing but katanas.  So probably this is the most realistic anime I’ve ever reviewed.  Released in 2004 by Studio GONZO it was brought to North America by FUNimation Entertainment in 2006.  Oddly this anime was recommended to me by my father who doesn’t agree with me on anything.  Our entire way of thinking is reversed and as a result we have opposite opinions when it comes to everything but especially fiction.  Specifically he told me he loved this anime but I was suspicious of the fact that he blatantly said he stopped watching around episode 18 because the theme of the show “changed too much”.  Before that he said how “action packed” it was or whatever.  So I was of two minds here: on the one hand anything my dad seems to like is usually the most inane plot-less drivel imaginable but he seemed to have given the show up after awhile, probably when the plot kicked in, which intrigued me.  So I checked it out.
Not Pictured: A satisfying sub-plot
Full disclosure: I hadn’t watched the original film before I saw this show and even now I haven’t finished it (Due to many, many boring reasons).  Just take that in mind as you read this review.
In the years following a great war the peasant village of Kanna is constantly under siege by the Nobuseri, a group of samurai who have turned themselves into giant robotic douche bags and subsequently become rice stealing bandits.  Afraid of yet another season of having barely any rice for themselves the villagers decide to send their water priestess Kirara and a few others to the city to hire samurai noble and/or hungry enough to protect their homes with payment of only rice.  Though she and her group have trouble at first they do come across a few possible, yet suspicious, prospects: Katsushiro, a very willing but very inexperienced samurai, Kikuchiyo, a loud-mouthed cyborg who’s claim to being  samurai is dubious at best, and Kambei, an old samurai who has lost every battle he’s been involved in.  They might be screwed, but luckily this is just the beginning a much larger story…
A better show would be called Robots VS. Samurai
Speaking of the story as I understand it much of it is taken directly from the original film, including some of the classic lines, but in addition to the science fiction aspects thrown in it appears that the narrative is greatly expanded upon.  For example it takes much longer for the villagers to recruit the seven and thus allows for greater character development of the cast early on (In theory anyway).  This is the least a show like this should be doing when being based on a movie.  When this was suggested to me I was warned that I’d have to sit through the “boring stuff before the great action scenes.”  In truth I liked what the show did; it combined the admittedly large amount of standing around talking with a lot of action packed sequences.  For the most part I thought everything moved at exactly the right pace.   Also the supposed “theme shift” that occurred?  That was just an incorrect interpretation.  If you’ve ever watched an anime before you shouldn’t be too disturbed or upset by what happens.  I guess if you’re the type of person who is under the impression that all cartoons are for children you might lose your mind at that point, but if you read my blog you’re likely not that guy so don’t worry about it.   Really the plot starts getting a bit heavier and complex, but it’s nothing that should isolate anyone…nor is it anything special now that I think about it.
The action scenes are pretty good.  The main thing is of course the utter ridiculousness of guys cutting through robots three times their own size with a sword but honestly I kind of like the ludicrous nature of it all because of how straight they play it.  At some point they start deflecting GIANT LASER BEAMS with their swords because that’s how badass they are.  No one ever says “Holy crap that is scientifically impossible!”  Hell no, they just take it with a grain of salt.  This is the “Rule of Cool” and I can b pretty forgiving when its in effect.  So long as the animation kept up the fights scenes were great.
But they flub up a bit with the characters.  First of all though the seven samurai are all interesting fellows with varied personalities quirks, and agendas I felt it doesn’t go far enough.  I didn’t feel all that invested in any of the characters above a superficial level.  This is really strange since one would assume that a TV show adaptation of a film would go deeper than this show bothers doing.   Plus there were a few characters that I actively hated.  Kirara seems to be the central character here but she pretty much does nothing useful the entire series.  Plus the writers thought it be dramatic to shoehorn a very insincere feeling romantic subplot/love triangle that ultimately goes nowhere…even more nowhere than anime ronmances normally go, if that makes any sense.  Also her little sister Komachi is the embodiment of annoying kid sidekick.  She sure is no Kotaro from Black Blood Brothers, that’s for sure.
They all can't be winners...
As it is t the cast feels very average with little to sway me otherwise.  The villain of this series is pretty good though as he had me utterly convinced that he was just some unimportant minor antagonist only to slowly be revealed to be a diabolically intelligent chess master.  Plus his back story causes his worldview to actually make sense, making him one of the better villains of these reviews (I’ve chosen not to say exactly who the villain is since I found it to be one of the show’s few highlights.  Check the show out to see for yourself).
The animation was usually solid but dips in quality here and there and sometimes to maddening levels.  I’m starting to think that this just might be how amine is.  I’m guessing that the budget they get to makes shows just isn’t large enough to have a crisp animation for 26 episodes straight.  I’m starting to wonder if the thirteen episode series format isn’t inherently superior, seeing as Black Blood Brothers avoided this problem.  Still when the budget is at work this is a pretty good looking cartoon.   The character designs were often insane, but for the seven samurai I thought it worked to give them each unique look to both each other and the rest of the world. However the villagers, especially the ones from Kanna village, all look like dorks and jackasses.  Matching blue uniforms?  Really?  You guys look like you all attend the same terrible private school.   I can’t imagine those outfits are very practical when you’re in the damn dirt all day fiddling with rice.  Also Ukyo looks more like a gay clown than anything else.  Sorry if that wasn’t PC enough for you.
He's like the cousin Ronald McDonald doesn't like talking about
Also for Christ sakes why the hell did the anime have so many freaking bookend recaps?  At the end of every single episode it recaps the episode WE JUST SAW!  As if in the minute and a half it took to play the credits I had forgotten what just went down the annoying Komachi shows up and goes over it again.  This would have made more sense if she instead did something similar at  the beginning of each episode when it would have been a week since they last installment (For the original broadcast I mean).  Oh and in case you were wondering the episodes also started with a recap!  So it goes Theme Song-Recap-Episode-Credits-Recap.  At least it’s not the “Flash Back Every Five Minutes” I see all the time in the fighting shonen series.
I think I may not have a whole lot to say about the show.  It was good, but there really wasn’t anything extraordinary about it.  Like I said I haven’t finished watching the original movie so it’s hard to say how worthy a translation this ended up being but it does seem to be very unnecessary.  To be fair though that can be said of just about every sequel or remake in history.  Still I enjoyed this show, even if it’s not the best one I’ve ever seen.  Most of it is pretty good with a few problems here or there.  It’s a likable but average series.  I recommend checking out if you like samurai, mecha, rice but especially if you like all three.  To everyone else you’ll probably need to judge for yourselves.
Seven really is a magnificent number
I give Samurai 7 3 out of 5 Adorable Pandas.
Pros
-Decent action AND decent plotting
-Interesting villain
-I DIG GIANT ROBOTS
Cons
-Main characters not as developed as you’d think they’d be
-Character designs a bit distracting
-The animation sometime makes me want to scream in rage
-Too many recaps!

Sunday, January 2, 2011

Review: Black Swan



Fun trivia: I studied ballet in High School.  Seriously.  Not for super long, maybe half a semester out of two semesters of dance class, but there you go. I wasn’t very good at it and it was pretty uncomfortable but I will always be one of those guys who did that when I was a kid.  And yes I wore tights and I looked damn good in them.
Anyway Black Swan is the latest film by Darren Aronofsky and probably has the most Oscar buzz of any flick to come out during the 2010 Oscar Bait Season.  You may remember Aronofsky from such films as Requiem for a Dream and The Fountain.  Not me though; to me he’s the guy that made The Wrestler and being a fan of pro wrestling I certainly felt a notable connection to it.  If you ask him he’ll say this new movie is a companion piece to that one but really that only makes sense if you know about how those two films were originally one long flick…and I only know because Wikipedia told me.   On the nerdy side of things Aronofsky is also set to direct the next Wolverine movie currently titled “The Wolverine” which is a title that somehow sounds incredibly pretentious.
Anyway this is my first review of 2011 so it seems appropriate to write about yet another Mila Kunis film since my first  review of last year (i.e. Ever) was The Book of Eli.
Yeah, that's a pretty good indicator of what happens
Nina (Natalie Portman) is an uptight and apparently sheltered/over protected dancer working for a New York ballet company.  The first production of the season will be Swan Lake and Nina wins the lead.  However Lily (Kunis) a new dancer to the company shows up and then things start getting freaky.  I’m pretty sure if I say anymore I’ll spoil the movie.
Actual there’s not a lot I can say about this flick since if I go into any good detail I’ll likely ruin the movie for anyone foolish enough to check out this blog.  I’ll try to touch on things as best I can.  For one Natalie Portman once again demonstrates that she has solid acting ability and that her performances in the second Stars Wars trilogy was obviously just a fluke and/or bad writing and/or bad directing (Add Garden State to that as well.  Yuck).   Her character needs to be both a timid/shy as well as intense due to the nature of the role.  She totally nails it.  If she’s not at least nominated for an Oscar I may suspect foul play.  Speaking of Portman she’s a beautiful woman, something that has become more apparent as she’s gotten older.  Time to revisit the Hottest Women in Hollywood List.  Because I’m a pig.
#5: Natalie Portman
#4: Amy Acker
#3: Kat Dennings
#2: Anne Hathaway
#1: Michelle Trachtenberg
Get a load of that Harvard degree, bro.  Hot!
(Note that if this were a point system scale Anne Hathaway would have about 100 points give or take and Michelle Trachtenberg would have 859, 488 points)
As I mentioned Mila Kunis is in this movie.  She’s okay mainly because her character is very simple and doesn’t call for any real range.  I still maintain that her biggest weakness as an actress is her inability to sincerely emote but luckily the role doesn’t seem to call for much of that so good for her.  The rest of the cast are sufficiently intense, but I kind of don’t want to go into detail about it.
This is a trippy movie, but it’s a psychological thriller so guess I shouldn’t’ be surprised.  Even the trailers basically tell you the type of flick this likely going to be.  It’s a bit hard to explain what goes on but it’s one of those films where the protagonist, and therefore the audience, can’t be 100% sure what is and is not real.  It’s effective though it really Portman’s performance that makes it work.  The problem really is that at the end of the day these type of movies aren’t my cup of tea.  I’ve never been all that interested in them before and the surrealistic elements tended to take me out of the story.  However I’m fairly certain that this is my problem and not the film’s.  I was still able to appreciate and (More or less) understand things so it is successful in that regard.
In lieu of spoilers please enjoy this soothing picture of a Black Swan
Really the only real problem I had with this movie was that I felt like I pretty much figured out the ending before it happened and I couldn’t shake the feeling that I had seen this film before, though admittedly the sequence of events certainly weren’t familiar.  Also between this and Love and Other Drugs I’m starting to wonder if I’m becoming too much of a prude to go see movies as I get older.
It’s very hard to review a movie like this.  It’s like trying to tell someone how good Fight Club or The Matrix (The first one, obviously) is while trying to avoid ruining the experience for them.  This movie is very good; artistically speaking this could very well be the best film of the year.  If you’re okay with using you brain in the theater than this will likely be a worthwhile visit, but if your more like a “Turn the old brain off and enjoy a popcorn flick” kind of fellow than you may be better off watching something else.  Personal I think this film really good, but unfortunately it’s not my type of film.  I don’t mind cerebral movies or anything like that but really the sequence of events…aw hell, just go see the movie for yourself.
I’m giving Black Swan a mysterious 4 Adorable Pandas out of 5.  However if Darren Aronofsky ever mans up and makes his Wrestler/Ballerina epic that movie will likely get 17 out of 5.
Pros
-Great acting from Portman and (Most of) the supporting cast
- A great character study of a very complex person
-Great music from Swan Lake throughout
Cons
-It feels a bit too familiar
-Perhaps a teeny  tiny bit too "Art House" for Beta.  Maybe

Saturday, January 1, 2011

SMCS Companion Piece #14: TaleSpin



What’s this?  A new Saturday Morning Cartoon Show blog?  That’s soooo 2010 (Happy New Year, by the way).  I just happened to be in town and DJ Muppet invited me back on the show for old time’s sakes so I figured I do another companion blog as well.  This week we “watched” TaleSpin one of the more important cartons in the 1990’s Disney Afternoon block.
TaleSpin was a Disney cartoon created in the wake of the success of Duck Tales.  I once heard that the original concept was supposed to  be a Launchpad McQuack focused spin-off but the idea apparently mutated into what we now know;  bizarre chimera featuring a few (But not all) Jungle Book characters featured in a 1930’s inspired aviator show.  It’s messed up, man.  I seriously wonder what exactly the producers were smoking when they came up with this idea.  Did they think to themselves “Hey bro, you know what the Jungle Book cartoon really could have used?  Aerial dogfights.”  Though to be fair just about everything is better with aerial dogfights.
Exixibt A
In 1990 a TV movie under the name of TaleSpin: Plunder and Lighting was aired and shortly after the series proper began.  Though it apparently only lasted one season it produced 65 episodes and continued to air on Television in some form or another through 2008 (Which means Disney canceled about twenty-two awesome shows before they decided to stop running TaleSpin.  Make of that what you will)   The plot revolved around Baloo the Bear who I guess has grown tired of the bare necessities of life  and somehow ends up in the city-state of Cape Suzette where he buys an airplane that he names the “Sea Duck” and hires himself out as a pilot for hire.  In the first episode he gets tangled up with an orphan named Kit who’s connected to the local Air Pirates and after a bit of action packed swashbuckling in the skies a stuffy lady named Rebecca buys his plane and opens up her own business forcing him to be her pilot in order to keep his beloved vehicle.
It also features Shere Khan as a Kingpin of Crime.  In a damn suit and tie!  Hell yes!
"Bring me the head of Kimba the White Lion"
This whole series is strange, but not in a bad way.  It may in fact be one of the most unique shows ever produced in Western Aniamtion and certainly the craziest spin-off of a Disney movie I’ve ever seen.  Baloo himself seems kind of like a Han Solo type character if Han Solo spent all his time smoking weed to the point that he acted aloof and disjointed all the time (So more like Harrison Ford, really).  In fact there seems to be a few nods to Star Wars, such as Kit’s last name being Skywalker Cloudkicker, but the show has more of a Raiders of the Lost Ark look about it.  I’m not really sure when this show takes place, or even if it takes place in the DuckTales continuity at all, but there’s reference to a “Great War” from nearly twenty yeas back which supports the whole 1930’s atmosphere.   Let’s pretend that Cape Suzzette does exist in the same time frame as Scrooge McDuck and that the old duck could theoretically hire the heroes to help him find some long lost treasure before the Beagle Boys and the Air Pirates find it first.  Mmmm, delicious crossovers….
I’ve noticed the show is downright beloved by many by my generation (Not to be confused with that awful and rightfully canceled 2010 ABC show My Generation.  Bleh) and I suppose I understand why. It certainly was a darker cartoon than Disney tended to create at the time and quality wise was a cut above a lot of its competition, but I never really got over the whole “Jungle Book” thing.  Although maybe if Bagheera had showed up in any sort of meaningful role I would have accepted it more because Bagheera is F'N Metal.  Maybe as the chief of police who’s always annoyed at Baloo’s flying while intoxicated carefree attitude, or perhaps as a rival pilot who unlike the main character is a straight shooter who has his stuff together.  Now that would have been a show!
To be fair panthers are notoriously bad pilots
Even so it’s pretty good and it would be hard not to give it props for what it gets right, especially the awesome theme song.  Though if we’re talking old school Disney cartoons I’m more about DuckTales and Darkwing Duck.  But still if you haven’t seen TaleSpin I suggest trying to find it.  Just not on DVD since Disney opted to not release the last third of the series.  You know, because they hate you.
As if bears weren't terrifying enough now they can fly fighter planes...
For more on TaleSpin click here.  For the Saturday Morning Cartoon Show blog and/or podcast click here and/or here.
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